5.1 How to shoot HDRI

HDRI

If you don’t know what HDRI is, read the post High Dynamic Range Imagery first.

HDR photos can be any subject matter, not just a chrome ball; the ball assists in showing the extremes in the shadows and highlights.

This is a High Dynamic Range Image – well, sort of. What you see to the left is a compressed version of the final HDRI product, created from the pictures taken below at different F-stops.

The process is fairly simple:

  • Set Normal exposure

  • Take a photo +/- 1 stops above/below normal

  • Take a photo +/- 2 stops above/below normal

  • Take a photo +/- 3 stops above/below normal

  • Take a photo +/- 4 stops above/below normal

To set your normal exposure, choose an F-stop in the middle of your lens/camera's range.* Compensate for the lighting situation by adjusting the ISO and shutter speed/angle. When the image looks good, only change the F-stop to capture different exposures!


You captured your first set of HDR photos, now what?

Photoshop:

  • File > Automate > Merge to HDR Pro

  • Browse and select photos

    • Click ‘OK’ and wait for the next window to pop up

      • Manually select your ‘normal’ exposure OR

      • Select the photo to set as the normal exposure with the arrows

  • HDR Pro

    • Change to 32-bit

    • Click ‘Tone in ACR(Adobe Camera Raw)

      • Make any adjustments as needed

  • Save as

    • Uncompressed

      • .tiff or .psd

    • Web

      • .jpg or .png

    • Post Production

      • .exr, .hdri, .hdr or, .rad (radiance) file


Photo Sets

You can download these on the previous post along with the finalized .hdr file. These photo sets are shown to give an idea of what an hdri set should look like.

20150509 Day Shoot. Arri D-21 HDR photo set. Chrome ball in Skybridge

20151216 Night Shoot. Arri D-21 HDR photo set. Chrome ball in Skybridge

20151125 Skybridge. Nikon HDR photo set. Chrome ball in Skybridge

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5.0 High Dynamic Range Imaging

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6.0 Photogrammetry as an alternative to Modeling