2.1 How to shoot a Chrome Ball

HOW TO SHOOT A CHROME BALL

This post will guide you through the steps for shooting a Chrome Ball

If you have not read my post on what a chrome ball is, or want to know more of the science behind it, you can read that here.

This guide is based on my experience with shooting a chrome ball and my research, which I will provide links to at the bottom.

Software:

For my thesis, I used Photomatix Pro 5, and PTGui, but because I had access to Nuke I did a lot of my transforms there because it was free on campus. I converted them using the lat/long map node and exported an image.

A Few Quick Notes:

  • The ball will only captures about 270 degrees of the scene

    • 90-degree separation between separate photos should cover the gap

  • Radiance has the same value at any point along a ray

    • Distance is no longer a factor in the measurement of light


How to shoot a Chrome Ball for Visual Effects

  1. Place The Ball Where You Want To Capture The Lighting Information

  2. Grab A Camera With A Long Or Zoom Lens

  3. Set The Camera To Normal Exposure And Zoom In As Close As Possible

  4. Take A Photo

  5. Move 90 Degrees From That Location And Take Another Photo

This demonstrates a 90-degree separation on the chrome ball

There are many different ways to go about the next part of the process. This is the generic pipeline for what to do with your photos now that you have them.

What To Do After Shooting The Chrome Ball

  1. Crop The Photo To A Square That Just Encloses The Ball ⚠️

    1. THIS IS SUPER IMPORTANT⚠️

  2. Unwrap The Image With Your Software Of Choice

  3. Import The Photo Into Your 3D Or Compositing Software Of Choice

  4. Apply It As A Reflection Map, Or Radiance Map

If this becomes popular, or many people comment saying they want to see specific tutorials with each software, then I may add them at a later time. For now, if you have Photoshop you can achieve a decent result:

Photoshop Quick Method:

  • After cropping to a square

    • Go to Image/Canvas Size/

      • Copy the smaller dimension and past it on the larger one

    • It will not work unless perfectly square*

  • Filter/Distort/Pinch/

    • 100% Value

      • This stretches some of the information on the edges and produces a better result for the unwrap

  • Filter/Distort/Polar Coordinates/

    • For some photos, you may need to rotate the image first before applying the filter

    • Polar to Rectangular

  • From here the image is unwrapped, just not in the optimal way.

    • You can experiment with Photoshop to improve it or use other software for better results, like the images below.

  • For more precise lighting information to capture as much as possible

    • follow the same process as above but incorporate the steps from the post about shooting HDRI photos



If you don't want to purchase a chrome ball or can't afford one, don't worry - there's an alternative solution that might be perfect for your needs! Discover the world of Panospheres and find out how they can revolutionize your visual effects process in our next post.

🔗 Unlock the Potential of Panospheres.: An Exciting Alternative to Chrome Balls

Still on the fence about whether to use a chrome ball or a panosphere for your project? I've got you covered! In the in-depth comparison, learn the pros and cons of each method and make an informed decision that best suits your needs.

🔗 Chrome Ball VS Panosphere: Which One Is Right for Your Project? Find Out Now!


Notes:

  • Okay, yes it will work if not perfectly square, but it will distort the data

  • Reference 1

  • Reference 2 (can no longer be found 😕 )

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2.0 What is a Chrome Ball?

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3.0 What is a Panosphere